Manes Exhibition Hall
Mánes Exhibition Hall is a traditional part of Prague’s cultural life. It’s dramaturgy includes exhibitions of leading figures in both Czech and international art spheres, it gives opportunities to many young artists and also hosts historical and retrospective exhibitions. The building itself was designed in functionalist style by architect Otakar Novotny and completed in 1930, replacing old Štítovské Mlýny that were torn down. It connects Masaryk’s embankment on the right bank of Vltava River, with the famous Slav Island and borders with historical Štíkovská water tower. The first exhibition that took place there was Hundred Years of Czech art 1830 – 1930 fallowed by many events that helped to establish it’s renown of a prestigious exhibition hall. In the period of 2013 – 2014 the hall went through complete reconstruction and today is used for many other cultural activities – lectures, projections, workshops, auctions, thanks to newly installed modern equipment. Last week it hosted an exhibition of Pasta Oner, one of the most striking names in current Czech art scene.
Pasta oner is a pioneer in graffiti and street art in Czech Republic. His real name is Zdeněk Řanda and he started with graffiti when he was just 13 years old. He used to be know as a leading figure in Prague’s writer scene, but throughout his more than 20 years of working, he began to direct his pieces more and more into galleries and exhibition halls more than on the walls of building and trains. During last years he took part in 30 collective exhibitions and made 3 of his own. He strongly aims towards individualism and being provocative and his personal handwriting is widely recognized as very original and inimitable. Most of his creations are acrylic paintings, hanging paintings and technologically complex spatial objects, plastics and installations, as well as large format paintings in ambitious public spaces.
Last Day in Paradise
Last Day in Paradise puts his traditional topics of reflecting fortune, sex, luxury and other hedonistic pleasures into context of his personal position inside current modern consumer society, growing cybernetism and fast information, which made it even more provocative than usual. He makes fun, but he also acknowledges being part of what he’s mocking. The expositions contained things like giant golden lollypops falling from a tree, Mickey Mouse coming out of an egg or giant cross with flashing neon “Welcome” and “Open”. All the pieces were from this year. The exhibition met large success as Pasta’s name is widely recognized not only among young people today and there will certainly be a new one in not too distant future. We at ThinkPrague will keep you informed, whether it will be one in Manes Exhibition Hall or one by Pasta Oner.